Philip Clieve

Operatic Character Tenor

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Philip Clieve’s Curzio [was] vividly drawn and projected – Clieve’s tenor is particularly adaptable and nuanced when it comes to caricature.
Peter Reed. Opera Magazine.

Philip Clieve may have played a supporting role throughout…but he did so with commitment, style and a fine voice.
Keith Bruce. VoxCarnyx.

Clieve, if he’s not careful, could make a living from playing weak young men, for after dithering convincingly in the Stravinsky (The Rake’s Progress) he delivered a textbook simpleton as Britten’s ‘Albert Herring’.
Opera Now.

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